Category: Musical Instruments
Showing 1–20 of 23 results
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FEATURES
Feature List
- 96kHz 64 channel / 42 bus digital mixer
- XCVI FPGA core with ultra-low latency (0.7ms)
- Fully configurable mix bus architecture
- Super-tough, full metal chassis
- Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows
- dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp
- 12 RackExtra FX slots with dedicated stereo returns
- 16 DCAs
- Dual 15.6” Full HD capacitive touchscreens with gesture control
- AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
- Fully assignable layout
- 144 fader strips (24 faders, 6 layers) with optional dedicated master section
- SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
- 12 analogue XLR Inputs / 12 analogue XLR Outputs
- 1 Stereo AES In / 2 Stereo AES Out
- 2 I/O Ports, both capable of 128×128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE
- User configurable rotary controls
- 24 assignable SoftKeys
- Comprehensive metering with multi-point peak detection
- USB stereo recording and playback
- BNC Word Clock
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The rugged DX168 Portable DX Expander from Allen & Heath adds remote inputs and outputs to the dLive S Class or C Class mixing systems. It features 16 XLR mic/line inputs, with independent phantom power LED indicators, along with eight XLR line outputs. The expander connects to the dLive system via a Cat 5 cable (sold separately), allowing for the inputs and outputs to be positioned up to 330′ away from the mixer.
Up to six DX168 units can be added to a dLive system for a total of 96 inputs and 48 outputs, and Cascade mode allows daisy-chaining of two DX168 expanders for additional inputs and outputs. The sturdy and versatile design of the expander and hard-wearing rubber bumpers allow it to be placed directly on the stage floor during performances or rack-mounted in a standard 19″ rack or case (requires a remote audio rack kit—sold separately). It also comes with a carry handle for convenience and portability.
16 mic preamps on XLRRedundant DX connection to dLive S Class hardwarePlug-and-play, no IP addressing required -
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The chrome edition Qu-24C 30-In/24-Out Digital Mixer from Allen & Heath features 24 of Allen & Heath’s AnalogiQ microphone preamps and is powered by its 5-core ARM processor to provide a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, reverb, and more. The mixer is capable of recording audio to …
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The Allen & Heath SQ-5 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-5 features 16+1 motorized faders and 16 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-5 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-5 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-5 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-5 ships with a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 16 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 14 assignable local outputs (12 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 8 assignable SoftKeys
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 16+1 faders with 6 layers for 96 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 16 backlit LCD channel-strip displays
- Single-point metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Output processing – PEQ, Graphic EQ, Compressor, Delay
- Automatic mic mixing
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
Key Features- 16 Microphone Preamps
- 7″ Capacitive Touchscreen
- 96 kHz FPGA Processing
- Eight Stereo FX Engines with Returns
- 32 x 32 USB Audio Interface
- AES Output
- 12 Stereo Mixes + LR
- Channel LCD Displays
- 8 Assignable SoftKeys
- SLink Port for Remote Audio & Expansion
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The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 24 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 16 assignable local outputs (14 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 16 assignable SoftKeys
- Four assignable soft rotaries
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 24+1 faders with 6 layers for 96 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 24 backlit LCD channel-strip displays
- Single-point metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Output processing – PEQ, Graphic EQ, Compressor, Delay
- Automatic mic mixing
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 32 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 18 assignable local outputs (16 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 16 assignable SoftKeys
- Eight assignable soft rotaries
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 32+1 faders with 6 layers for 192 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 32 backlit LCD channel-strip displays
- Chromatic channel metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Mix processing – PEQ, Graphic EQ, Compressor, Delay
- Fully integrated Automatic Mic Mixing (AMM)
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
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Add to cart10 direct crosspoints20 shifted crosspointsTri-color LED crosspoint buttons with 3-row, 24-character LCD scribble strips4 on-air indicatorsAuto, cut, tie/preview DSK transition selectors3 LCD menu displays20-button menu control1 destination bus1 source select busWeighted T-bar fader3-axis joystickNumeric keypad
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Color Black Brand Roland Material Metal Model Name FANTOM-7 Item Dimensions LxWxH 55.51 x 21.65 x 9.06 inches About this item
- Fantom Series Limited Edition T-Shirt with Product Registration
- Acclaimed 76-note semi-weighted keyboard with aftertouch
- Seamless workflow with no confusing modes
- Expandable sound engine delivers authentic electronic and acoustic sounds
- Fresh hybrid sounds combining modern PCM, virtual analog, and a routable analog filter
Product information
Item Weight 39 pounds Product Dimensions 55.51 x 21.65 x 9.06 inches ASIN B07X9V4PGN Item model number FANTOM-7 Customer Reviews 4.1 out of 5 stars
Best Sellers Rank Date First Available September 3, 2019 Color Name Black Material Type Metal Number of Keyboard Keys 76 Size 76 Keys
