Category: Music Instrument
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The AB168 Portable Audiorack from Allen & Heath is a rugged audio interface stage box compatible with GLD and Qu digital mixing systems, and ideal for applications such as live sound and installations.
The unit features sixteen mic/line XLR inputs with pristine mic preamps and individual LED phantom power indicators, and eight XLR outputs. It connects to the mixer over a single Cat5 cable using the company’s dSNAKE protocol, allowing for the inputs and outputs to be positioned at up to 393’/120m from the mixer. For larger systems, the expander port lets you daisy-chain an additional AB168 or AR2412 Audiorack, or interface with the ME personal monitor mixing system.
Made for life on the stage, this box is equipped with rubber bumpers for placing it horizontally or vertically on the floor during performances. Lightweight at just 10.6 lb, and featuring a sturdy carry handle, the AB168 is also designed for maximum convenience and portability.
The unit can also be rackmounted using an optional kit (available separately), and auto updates its firmware to synchronize with the GLD system.
Portable solution for live sound and installations allows the inputs and outputs to be positioned at up to 393’/120m from mixer, over a single Cat5 cable
Compatible with GLD and Qu digital mixing systems, AR2412 AudioRack, ME systems
16 x mic/line XLR inputs with pristine mic preamps and individual LED phantom power indicators
8 x XLR line outputs
dSNAKE connection with locking EtherCon port
Expander connection with locking EtherCon port for daisy-chaining units or connecting to ME personal monitor mixing system
Lightweight (at 10.6 lb) with carry handle for easy transportation
Rubber bumpers and sturdy construction for life on the stage
Optional rackmount kit available separately -
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Feature List
- 96kHz 64 channel / 42 bus digital mixer
- XCVI FPGA core with ultra-low latency (0.7ms)
- Fully configurable mix bus architecture
- Super-tough, full metal chassis
- Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows
- dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp
- 12 RackExtra FX slots with dedicated stereo returns
- 16 DCAs
- Dual 15.6” Full HD capacitive touchscreens with gesture control
- AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
- Fully assignable layout
- 144 fader strips (24 faders, 6 layers) with optional dedicated master section
- SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
- 12 analogue XLR Inputs / 12 analogue XLR Outputs
- 1 Stereo AES In / 2 Stereo AES Out
- 2 I/O Ports, both capable of 128×128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE
- User configurable rotary controls
- 24 assignable SoftKeys
- Comprehensive metering with multi-point peak detection
- USB stereo recording and playback
- BNC Word Clock
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SPECIFICATION
- XCVI FPGA core
- 96kHz sample rate
- Variable bit depth
- 96bit accumulator
- Class leading, ultra-low latency (0.7ms)
- Twin 15.6” Full HD capacitive touchscreens with gesture control
- Innovative compact design with super-tough, lightweight full-metal chassis
- 64 Input Channels with full processing (LPF/HPF, Gate, PEQ, Comp, Delay)
- Configurable 42 bus architecture with full processing (PEQ, GEQ, Comp, Delay) on Mix Outputs.
- DEEP Processing Ready
- 144 fader strips (24 faders, 6 layers) with optional dedicated master section
- SLink EtherCON connection for remote audio using gigaACE, GX, DX, ME and dSnake protocols.
- 12 Local Mic/Line Inputs (XLR)
- 12 Local Line Outputs (XLR)
- 1 Stereo AES Input (XLR)
- 2 Stereo AES Outputs (XLR)
- 2 I/O Ports, both capable of 128×128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE
- 8 Mute Groups
- 16 DCA Groups with DCA Spill and MCA functionality
- 12 Stereo FX with dedicated FX Returns
- 24 Assignable SoftKeys
- 6 Assignable Custom Rotaries
- Comprehensive metering with multipoint peak detection
- Integrated Fader Illumination
- Built-in signal generator, RTA and spectrogram
- AMM (Automatic Mic Mixer) up to 64 channels across 1,2 or 4 zones
- Quick copy/paste/reset for parameters
- User Permissions to restrict operator access
- 500 Scene memories per show
- Channel Safes, Global and per Scene Recall Filters
- USB stereo recording and playback
- USB transfer of Scenes, Libraries, Shows
- DAW Control driver for MIDI control via TCP/IP
- Wireless remote mixing apps for iPad
- BNC Word Clock connector (input or output)
- ¼” TRS and 3.5mm Headphone outs with dedicated analogue volume control
AVANTIS Console
- Height 269 mm (10.6″) +/- 1mm
- Width 917mm (36.1″) +/- 2mm
- Depth 627mm (24.7″) +/- 2mm
- Weight 26kg (57.4lbs)
AVANTIS Console Packaged
- Height 425mm (16.7″)
- Width 1100mm (43.3″)
- Depth 850mm (33.5″)
- Weight 34kg (75lbs)
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The rugged DX168 Portable DX Expander from Allen & Heath adds remote inputs and outputs to the dLive S Class or C Class mixing systems. It features 16 XLR mic/line inputs, with independent phantom power LED indicators, along with eight XLR line outputs. The expander connects to the dLive system via a Cat 5 cable (sold separately), allowing for the inputs and outputs to be positioned up to 330′ away from the mixer.
Up to six DX168 units can be added to a dLive system for a total of 96 inputs and 48 outputs, and Cascade mode allows daisy-chaining of two DX168 expanders for additional inputs and outputs. The sturdy and versatile design of the expander and hard-wearing rubber bumpers allow it to be placed directly on the stage floor during performances or rack-mounted in a standard 19″ rack or case (requires a remote audio rack kit—sold separately). It also comes with a carry handle for convenience and portability.
16 mic preamps on XLRRedundant DX connection to dLive S Class hardwarePlug-and-play, no IP addressing required -
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The Allen & Heath SQ-5 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-5 features 16+1 motorized faders and 16 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-5 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-5 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-5 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-5 ships with a power cord.
Compact digital mixer for live, studio, and installation
48 input channels
16 local mic inputs (XLR)
Two 1/4” stereo inputs (TRS)
One 1/8″ stereo input
36 total busses
12 stereo mixes (Aux or Group) + Main
PAFL bus
14 assignable local outputs (12 XLR + two 1/4” TRS)
AES digital output
Dedicated talkback mic input (XLR)
1/4″ TRS headphone out with dedicated control
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
I/O port for option card (including 3rd party protocols – Dante/Waves)
8 mute groups
8 DCA groups
8 stereo FX with dedicated FX returns
DEEP processing ready
RackFX effects suite
7″ color touchscreen
8 assignable SoftKeys
Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
16+1 faders with 6 layers for 96 assignable channel strips
Motorized faders for sends on faders, GEQ fader flip, and mix recall
16 backlit LCD channel-strip displays
Single-point metering
Integrated surface illumination
Single/dual footswitch control
Input channel linking for stereo sources
Patchable insert points
Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
Output processing – PEQ, Graphic EQ, Compressor, Delay
Automatic mic mixing
31-band, real-time analyzer (RTA)
Quick copy/paste/reset for parameters
User permissions to restrict operator access
300 scene memories per show
Channel safes, global and per-scene recall filters
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
32×32 channel USB streaming to/from Mac/Windows
DAW control driver for MIDI control via USB or TCP/IP
Wireless remote mixing apps for iPad and Android
Compatible with ME personal-monitoring range -
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The Allen & Heath SQ-5 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-5 features 16+1 motorized faders and 16 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-5 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-5 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-5 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-5 ships with a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 16 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 14 assignable local outputs (12 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 8 assignable SoftKeys
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 16+1 faders with 6 layers for 96 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 16 backlit LCD channel-strip displays
- Single-point metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Output processing – PEQ, Graphic EQ, Compressor, Delay
- Automatic mic mixing
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
Key Features- 16 Microphone Preamps
- 7″ Capacitive Touchscreen
- 96 kHz FPGA Processing
- Eight Stereo FX Engines with Returns
- 32 x 32 USB Audio Interface
- AES Output
- 12 Stereo Mixes + LR
- Channel LCD Displays
- 8 Assignable SoftKeys
- SLink Port for Remote Audio & Expansion
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The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 24 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 16 assignable local outputs (14 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 16 assignable SoftKeys
- Four assignable soft rotaries
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 24+1 faders with 6 layers for 96 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 24 backlit LCD channel-strip displays
- Single-point metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Output processing – PEQ, Graphic EQ, Compressor, Delay
- Automatic mic mixing
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
- Compact digital mixer for live, studio, and installation
- 48 input channels
- 32 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 18 assignable local outputs (16 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 16 assignable SoftKeys
- Eight assignable soft rotaries
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 32+1 faders with 6 layers for 192 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 32 backlit LCD channel-strip displays
- Chromatic channel metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Mix processing – PEQ, Graphic EQ, Compressor, Delay
- Fully integrated Automatic Mic Mixing (AMM)
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
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The Blackmagic Design ATEM 1 M/E Advanced Panel is a full-featured hardware control panel for BMD ATEM switchers. It connects via Ethernet and provides hands-on tactile control, essential for broadcast studios. An LCD information display surrounded by soft-touch menu buttons and rotary encoders allows for intuitive programming of control functions. Aside from the main display, each programmable button has an LCD scribble strip to illustrate its function. Since buttons can perform different functions, up to 20 inputs can be accessed by shifting the 10 input buttons. The buttons themselves have curved indentations to help avoid incorrect keystrokes. Real-time dynamic controls are available in the form of a single 3-axis joystick and large weighted T-bar fader. Use the joystick to remotely control PTZ cameras or effects, and the T-bar to adjust transitions, wipes, fades, and more.
At the rear of the unit are dual Ethernet connections, a USB port for firmware updates, and power inputs. Use the IEC input for connecting to mains power, and the 4-pin XLR 12V input for DC power supplies. The panel’s chassis is sized small enough to fit in a standard equipment rack, allowing it to be implemented in broadcast trucks and fly-away kits.
Switching Features10 direct crosspoints20 shifted crosspointsTri-color LED crosspoint buttons with 3-row, 24-character LCD scribble strips4 on-air indicatorsAuto, cut, tie/preview DSK transition selectors3 LCD menu displays20-button menu control1 destination bus1 source select busWeighted T-bar fader3-axis joystickNumeric keypad -
Add to cartKorg PA5X 76-key Professional Arranger Workstation KeyboardThe Korg Pa5X-76 Professional Arranger Keyboard expands on the success of its predecessor with a reengineered cutting-edge EDS-XP sound engine, cross-fading dual players that can play two Styles, MIDI files, or MP3 files at the same time, and a streamlined color-driven user interface.Korg PA5X 76 SpecsItem Type Arranger KeyboardKeyboard 76 Full-Size Keys with Semi-Weighted ActionTouch Sensitivity 127 Levels of SensitivityAftertouch YesExpression Controls 1 x Joystick1 x Ribbon Controller3 x Switch16 x Pad9 x Slider9 x SwitchDisplay 8″ / 20.3 cm Color TFT TouchscreenSounds & SongsNumber of Sounds, Kits, or Samples 2200 x Factory Sound Preset130 x Factory Drum Kit768 x User Sound Preset384 x User Drum KitMaximum Polyphony 160 VoiceMultitimbrality 3-PartInternal Memory RAM: 2 GBUser Storage: 4 GBSampling Formats AIFF, KORG, SoundFont, WAV (Load/Import)AIFF, KORG, WAV (Save)Built-In Effects Amp Simulator, AutoPitch, Compressor, Delay, Doubler, EQ, Filter, Gate, Harmonizer, Modulation, ReverbPerformance Functions Sampler, Sequencer, Split/Layer, Temperament Adjustment, Transpose, Tuning AdjustmentBuilt-In Speakers NoneOscillators 24Auto-AccompanimentNumber of Style Presets 600 x FactoryMIDI & RecordingNumber of Recorder Tracks 16 x MIDIAudio Recording Formats MP3ConnectivityAudio I/O 1 x Combo XLR-1/4″ TRS Mic Input1 x 1/4″ TS Hi-Z Input2 x 1/4″ TRS Line Input1 x 1/8″ / 3.5 mm TRS Line Input6 x 1/4″ TRS Line Output1 x 1/4″ TRS Headphone OutputPedal Support 1 x 1/4″ Sustain2 x 1/4″ AssignableMIDI I/O 1 x DIN 5-Pin Input1 x DIN 5-Pin Output1 x DIN 5-Pin ThruUSB 3 x USB-A (Device/Controller Connection, External Memory)1 x USB-B (Host Connection)Video I/O 1 x HDMI OutputMedia/Memory Card Slot Single Slot: microSD/microSDHCBluetooth NoIncluded Software NonePowerAC Input Power 100 to 240 VAC, 50 / 60 HzAC/DC Power Adapter IncludedPower Consumption 20 W (Typical)0.2 W (Standby)PhysicalColor BlackIncluded Accessories Music RestDimensions 48.5 x 14.7 x 4.9″ / 123.2 x 37.3 x 12.4 cmWeight 38.4 lb / 17.4 kgPackaging InfoPackage Weight 50.5 lbBox Dimensions (LxWxH) 52.25 x 19.5 x 10.25″
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Color Black Brand Roland Material Metal Model Name FANTOM-7 Item Dimensions LxWxH 55.51 x 21.65 x 9.06 inches About this item
- Fantom Series Limited Edition T-Shirt with Product Registration
- Acclaimed 76-note semi-weighted keyboard with aftertouch
- Seamless workflow with no confusing modes
- Expandable sound engine delivers authentic electronic and acoustic sounds
- Fresh hybrid sounds combining modern PCM, virtual analog, and a routable analog filter
Product information
Item Weight 39 pounds Product Dimensions 55.51 x 21.65 x 9.06 inches ASIN B07X9V4PGN Item model number FANTOM-7 Customer Reviews 4.1 out of 5 stars
Best Sellers Rank Date First Available September 3, 2019 Color Name Black Material Type Metal Number of Keyboard Keys 76 Size 76 Keys -
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Equipped with an 88-key PHA-4 standard keyboard that provides an excellent piano touch, the FANTOM-08 delivers high performance for live performances, song production, and studio work. Equipped with thousands of Roland’s high-quality sounds, the same touch screen as the flagship model FANTOM, an easy-to-use controller, and high compatibility with computers expand the possibilities for a variety of musical expressions. Masu.
<Main features>
・Equipped with over 3,000 types of sounds and functions inherited from the flagship model FANTOM
・Achieve a clear and seamless workflow
・Excellent portability due to lightweight body
・High-quality acoustic/electronic sound brought to you by ZEN-Core and SuperNATURAL
・The newly added SuperNATURAL Acoustic Piano delivers the sound and superb response of an acoustic grand piano.
・Virtual tonewheel organ, including harmonic bar control, for expressive combo organ performance
・Multi-sampling function allows you to create your own custom sounds
・One SCENE consists of up to 16 part layers, and effects and parameters can be set for each part. Supports a wide variety of musical expressions through detailed sound creation
・A clip-based sequencer that allows you to record various phrases you come up with and build songs based on them.
・The sequencer is equipped with TR-REC, which is inspired by Roland’s classic rhythm machines and is perfect for inputting drum patterns.
-Equipped with a touchscreen-compatible color display, high-resolution knobs, sliders, multicolor pads, and a dedicated SYNTH control section for superior operability.
– Equipped with a pitch bend/modulation lever and a backlit wheel for easy visibility, supporting a wide range of performance expressions.
– Powerful DSP power provides rich polyphony and smooth tone switching
・Equipped with 4in / 32out USB AUDIO/MIDI interface function, achieving high compatibility with DAW
・Native integration with Logic Pro, MainStage, and Ableton Live allows you to create a minimal and efficient production environment
・In addition to basic effects such as reverb and delay, you can also use the powerful onboard vocoder for the microphone input.
・You can expand your sound library by importing content such as Model Expansion, Wave Expansion, Sound Pack, Sample Pack, etc. from Roland Cloud into FANTOM-0.
– 15 types of Wave Expansion containing more premium sounds and 10 types of genre-specific Sound Packs created by the world’s top creators can be downloaded for free from Roland Cloud.
・SCENE using sounds from ZEN-Core, SuperNATURAL, and Virtual ToneWheel Organ is compatible with flagship model FANTOM
・Equipped with 88-key PHA-4 standard keyboard for excellent piano touch
spec
■Keyboard: 88 keys (PHA-4 standard keyboard: with escapement, ivory style)
■External dimensions/mass
・Width (w): 1,393 mm
・Depth (D): 354 mm
・Height (H): 138 mm
・Mass: 14.8 kg
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The spacious sprawl and 1:1 pad translation of your favorite stage kit are available in the new flagship kit of the V-Drums fleet: the Roland TD-50KV2 Set. From its full-sized digital snare, ride, and hi-hat pads to its trailblazing TD-50X sound module, this kit is all about giving you authority and expression in a whisper-quiet performance package. Playing out? From the stadium to the sanctuary, the TD-50KV2 Set’s tour-grade stand and discrete analog outputs give you the edge for any live drumming environment. And when it comes to cutting tracks in the studio, the TD-50KV2 excels. With up to 32 channels of audio over USB, professional multitrack drum recording is as simple as running a single cable into your laptop. In addition to its advanced digital pads, the TD-50KV2 comes dressed out in a modern 2-up/2-down tom configuration, with an 18-inch birch-shelled kick drum that really lets you feel the air move beneath your feet and a matching pair of 16-inch crashes so you can land accents on either side of the kit. What really makes gigging out with the TD-50KV2 a treat is the included 3-sided MDS-Stage 2 rack stand. A wide, stable footprint and comfortable spread make kit customization a breeze, while internal channeling allows you to route cables inside the rack for a streamlined look and speedy assembly.
Included in the Roland V-Drums TD-50KV2 Set:
TD-50X drum sound module
14-inch PD-140DS digital snare
18-inch KD-180 kick drum
10-inch PD-108 high toms (x 2)
12-inch PD-128 floor toms (x 2)
18-inch CY-18DR digital ride
14-inch VH-14D digital hi-hat
16-inch CY-16R-T crashes (x 2)
MDS-Stage 2 chrome stand with cable channelsRoland V-Drums TD-50KV2 6-piece Electronic Drum Set Features:
Powered by the TD-50X sound module
Preloaded with 70 premium kits and 900 instrument sounds
Intuitive, professional hands-on interface
Import custom drum libraries with SDHC cards
Practice along to loops or click tricks, then save sessions via SDHC
USB multitracking — record up to 32 channels of multitrack audio to Mac or PC at 96kHz
Snapshot lets you A/B kit changes before you commit to them
MIDI in/out captures performances and lets you changes kits later
1/4-inch and 1/8-inch headphone outputs
1/8-inch aux input lets you jam along to your phone or laptop
14 analog trigger inputs: 6 drums, 4 cymbals, 4 aux
8 balanced TRS direct outs for individual treatment and level control
Send pre-mixed audio via balanced stereo XLRs or unbalanced 1/4-inch outputs
Includes the latest digital pads and cymbals
8-sensor PD-140DS snare picks up meaty backbeats, delicate grace notes, and accurate buzzes and flams
5-sensor CY-18DR ride offers distinct edge, bow, and bell tones without the feeling of zones
VH-14D hi-hat with separate bow and edge triggers offers speed and expression that are second to none
Prismatic Sound Modeling with PureAcoustic Ambience technology
Roland V-Drums’ premier sound and ambience engines
Adjust each drum’s shell depth and overtones
Control each cymbal’s size and thickness
Tailor room response with adjustable virtual overhead mics
Create lifelike soundstages through virtual microphone placement
Send any of 38 onboard FX to individual drums and cymbal — EQ, reverb, saturation, multiband compression, EQ, delay, etc.Tech Specs
Total Number of Pads: 6 x drum pads, 4 x cymbal pads
Included Snare/Tom Pads: 1 x 14″ PD-140DS Snare, 2 x 10″ PD-108 Toms, 2 x 12″ PD-128 Toms
Included Kick Pads: 18″ KD-180 Kick
Included Cymbal Pads: 1 x 18″ CY-18DR Ride, 2 x 16″ CY-16R-T Crashes, 1 x 14″ VH-14D Hi-hat
Included Drum Module: TD-50X
Number of Drum Kits: 70 preset
Number of Instruments: 900 instrument sounds
Effects: Compressor, Equalizer, Overhead Mic Simulator, Room/Reverb
Module Trigger Inputs: 16 x 1/4″ (up to 14 pads)
Module Analog Inputs: 1 x 1/4″ (mix stereo), 1 x 1/8″ (mix)
Module Analog Outputs: 8 x 1/4″ TRS (direct out), 2 x 1/4″ (master out), 2 x XLR (master out)
Headphones: 1 x 1/8″, 1 x 1/4″
Module MIDI I/O: In/Out/Thru/USB
Other I/O: 1 x 1/4″ (footswitch)
USB: 1 x Type B, 3 x Type A (digital trigger)
Storage: SD/SDHC card slot (up to 32GB)
Included Hardware: MDS-Stage 2 Stand
Manufacturer Part Number: TD-50KV2-S
